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Frazer-Couzens Building Company was a prominent Detroit-based luxury residential development firm founded by home designer John P. Frazer and Frank Couzens (the son of former U.S. Senator and Detroit Mayor James Couzens) at the turn of the century.
Together, Frazer and Couzens specialized in designing high-style homes for some of the era’s most influential families, particularly in the beloved Palmer Woods Historic district, where they invested an impressive $2 million ($30 million today) into constructing trendy, durable residences that attracted affluent Detroiters and withstood the test of time.
One such property is the Margaret T. Fisher property at 1470 Balmoral Drive, which Frazer-Couzens Building Company was commissioned to build on behalf of the matriarch of the famed Fisher Body family by her seven sons, who would later go on to be known as the titans who sold Fisher to General Motors.
An impressive 5,100 sq. ft., the residence features:
- Balance, symmetry, and understated classical styling
- Quality masonry built with longevity in mind
- A spacious interior perfect for entertaining and everyday life
Margaret inhabited the property following the death of her husband, Lawrence P. Fisher Sr., in 1921, living there all the way up until her own passing in 1936.
In fact, a Detroit Free Press article from this time period featured the only known group photograph of all seven Fisher sons with their mother, which just so happened to be taken at this residence — further cementing both the home’s legend and that of the Fisher Family.
This is particularly significant given the major role the family played in the city’s architectural scene, which saw them contributing some of Detroit’s most iconic structures, including:
- The Fisher Building
- Fisher Body 21 & 37
- The Boston-Edison, Palmer Woods, and Grosse Pointe Fisher estate mansions
- The YMCA Fisher Branch
- The Fisher Administration Center
As for Frazer and Couzens, their body of work reflects their core design tenets: enduring, elaborate designs, thoughtful proportions, charming revival styles, and quality craftsmanship aimed directly at Detroit’s rising industrial aristocracy class and the opulent tastes of the period.